Materiality in art, conservation of contemporary art, memory and memorial objects

Un mundo de objetos: La arqueología de la belleza / A World of Objects. The Archaeology of Beauty

Classical Archaeology / Funerary Archaeology / Women / Body Image / Greek Archaeology / Ancient Greek Iconography / Greek Pottery / Sport / MAKE UP / Beauty / Materiality in art, conservation of contemporary art, memory and memorial objects / archaic Greek Pottery / Athenian Vase Painting / Greek Painted Pottery – production, circulation, consumption / Make Up and Culture / Archaeology of Beauty / Ancient Greek Iconography / Greek Pottery / Sport / MAKE UP / Beauty / Materiality in art, conservation of contemporary art, memory and memorial objects / archaic Greek Pottery / Athenian Vase Painting / Greek Painted Pottery – production, circulation, consumption / Make Up and Culture / Archaeology of Beauty

Propuesta de Curaduría Imagen Ideal.docx

Visual Arts / Materiality in art, conservation of contemporary art, memory and memorial objects / Curating contemporary art

MOÑIVAS, E. “Un proyecto interdisciplinar para la conservación y restauración de Arte Contemporáneo” en: Pátina, nº 13-14, mayo de 2006, pp. 213-220.

Installation Art / Contemporary Art / Cultural Heritage Conservation / Materiality of Art / Memory and materiality / Science for Conservation and Restoration of Cultural Heritage / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Conservation and Restoration / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Science for Conservation and Restoration of Cultural Heritage / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Conservation and Restoration / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art

MOÑIVAS, E. “Material/Inmaterial. Una memoria en proceso” en: VV. AA. (Eds.). Archivos y fondos documentales del arte contemporáneo. Cáceres: Junta de Extremadura; Consorcio Museo Vostell Malpartida; Universidad de Extremadura, 2009, pp. 299-305.

Art History / Installation Art / Contemporary Art / Cultural Heritage Conservation / Materials / History of Art / New Media Art / Art and technology / Materiality of Art / Memory and materiality / Science for Conservation and Restoration of Cultural Heritage / Conservación y Restauración / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte Povera / Arte contemporáneo / Materials and Techniques of Artists / Science for Conservation and Restoration of Cultural Heritage and History of Architecture / Conservation-Restoration of Modern and Contemporary Art / History of Art / New Media Art / Art and technology / Materiality of Art / Memory and materiality / Science for Conservation and Restoration of Cultural Heritage / Conservación y Restauración / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte Povera / Arte contemporáneo / Materials and Techniques of Artists / Science for Conservation and Restoration of Cultural Heritage and History of Architecture / Conservation-Restoration of Modern and Contemporary Art

MOÑIVAS, E. “La tierra: presencia y trascendencia. Apuntes sobre la imaginación material en la obra de William Congdon” en: ACEDO, Nieves; LIZARRAGA, Paula (Eds.). William Congdon y la revisión del Expresionismo Abstracto. Pamplona: Eunsa, Cátedra Félix Huarte, 2010, pp. 169-180.

Art History / Contemporary Art / Gaston Bachelard / Materials / History of Art / Materiality of Art / Visual Arts / Memory and materiality / Abstract Expressionism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Artes visuales / Material Imagination / Imaginación material / Materiality of Art / Visual Arts / Memory and materiality / Abstract Expressionism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Artes visuales / Material Imagination / Imaginación material

MOÑIVAS, E. \"La pintura como lugar de encuentro. Una lectura de las huellas en la materia\". Universidad de Navarra, 2007.

Art History / Contemporary Art / Materials / History of Art / Materiality of Art / Abstract Expressionism / Historia del Arte / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Art Painting Techniques and Materials / Imaginación material / Abstract Expressionism / Historia del Arte / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Art Painting Techniques and Materials / Imaginación material

MOÑIVAS, E. “Narrativas fluidas. El agua como presencia material en las artes plásticas contemporáneas” en: Dept. Història de l\'Art i CEHA-Comité Español de Historiadores del Arte (coords.). CEHA, XVII Congrés Nacional d´História de l´art. Art i Memóri. Granada: Editorial Atrio, 2012, pp. 249-263.

Aesthetics / Art History / Art Theory / Research Methodology / Water / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte

ArquiMemória 5 – Encontro Internacional sobre Preservação do Património Edificado, 26 de Novembro a 1 de Dezembro de 2017, em Salvador (Bahia, Brasil) / ArquiMemória 5 – International Meeting on Conservation of Built Heritage, 26th November to 1st December 2017 in Salvador (Bahia, Brazil)

Cultural Heritage / Conservation / Cultural Heritage Conservation / Heritage Conservation / Intangible cultural heritage / Technologies Applied to Cultural Heritage / Cultural Heritage Management / Architectural Conservation / Education and Cultural Heritage / Science for Conservation and Restoration of Cultural Heritage / Architecture, History of Architecture, TTecnologia e Diagnostica del Restauro / Materiality in art, conservation of contemporary art, memory and memorial objects / Sustainable Building Renovation / Conservação e restauro / Reabilitação Urbana / Urban Renovation. Traditional Spaces Cities / Conservazione e restauro / Restauro Monumentale / Renovation / Reabilitação Arquitectónica / Coservazione E Restauro Dei Beni Culturali / Restauro Architettonico E Del Paesaggio / Material Architecture / Reabilitation / Storia E Teoria Del Restauro / Restauro Architettonico / Conservazione E Restauro Dei Beni Culturali / Technologies Applied to Cultural Heritage / Cultural Heritage Management / Architectural Conservation / Education and Cultural Heritage / Science for Conservation and Restoration of Cultural Heritage / Architecture, History of Architecture, TTecnologia e Diagnostica del Restauro / Materiality in art, conservation of contemporary art, memory and memorial objects / Sustainable Building Renovation / Conservação e restauro / Reabilitação Urbana / Urban Renovation. Traditional Spaces Cities / Conservazione e restauro / Restauro Monumentale / Renovation / Reabilitação Arquitectónica / Coservazione E Restauro Dei Beni Culturali / Restauro Architettonico E Del Paesaggio / Material Architecture / Reabilitation / Storia E Teoria Del Restauro / Restauro Architettonico / Conservazione E Restauro Dei Beni Culturali

La apertura del archivo y el devenir del objeto. Sobre el proyecto (1975) y la práctica artística de Pamela Cevallos

Contemporary Art / Archives / Ecuador / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte Ecuatoriano / Ecuadorian contemporary art
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